PROFESSIONAL STILLS
Fully insured for equipment and general liability. Certificate available upon request.
Cameras & Lenses
Leica
Leica Q2 47.3MP full-frame camera—fixed Summilux 28mm f/1.7 ASPH.
Fuji GFX Medium Format
Fujifilm GFX100S II 102MP medium format camera
GF prime lens 23mm f/4 R LM WR
GF prime lens 110mm f/2 R LM WR
GF zoom lens 45-100mm f/4 R LM OIS WR
Focal lengths shown are medium-format—in 35mm terms the set covers roughly 18mm ultra-wide through 87mm portrait, wide enough for architecture and environment, long enough for intimate portraits.
NiSi Cinema Prime Lenses
Full-frame 85mm T1.9
Full-frame 50mm T1.9
Fast T1.9 cine primes—shallow depth and low-light reach for interviews and available-light work.
Camera Support
Tether Tools complete professional tethering system
SmallRig cage system—rails, handles, and baseplates
SmallHD FOCUS 5" HDMI on-camera monitor
Tilta cine kit—mini matte box (4×5.65, Schneider glass) and follow focus
Complete range of professional stills & video tripods, heads, and support
Lighting
Strobe—Studio & Location
Profoto professional lighting
Complete light-shaping system—softboxes, umbrellas, grids, reflectors
Continuous LED
Harlowe professional continuous LED systems—studio & location
Profoto B10X / B10X Plus—high-output LED for continuous & video
Complete light-shaping modifiers for both systems
Grip
Complete Matthews grip package—stands, rigging, flags, scrims, solids, silks, grip rails, and sandbags
Software
Adobe Lightroom Classic 15
Adobe Photoshop 2026
Tether Tools Smart Shooter 5
Helicon Focus
Color
Photography—professional color profiles, presets, and plugins (Lightroom / Photoshop)
Motion—color-grading suite with LUTs and scopes
DOCUMENTARY VIDEO
By project
A single-camera documentary package—one operator, one camera—built for short-form work that needs to be shot quietly and finished clean.
Capture—Fujifilm GFX 100S II, 4K ProRes RAW. Cinema primes, ND filtration, monitoring, and camera motion.
Sound—Broadcast boom and lavalier mics for clean dialogue, wireless systems, and a Zoom F3 field recorder in 32-bit float, synced to camera.
Post—Finished in Final Cut Pro X—edit, color, motion, delivery. Professional transcription hardware and software for accurate interview transcripts, with enterprise-class storage and backup. Scoring draws on full annual libraries—Epidemic Sound and a complete Lens Distortions membership for music, sound design, color LUTs, and visual effects—fully licensed and permanently cleared for publication.
Everything above is handled by one person, start to finish.